All CAN Essays (Alphabetical)

“To Be American” — Teaching the Role of the Artist in Animating Democracy By Kate Collins (July 2004)

"Creative Spaces" in the Land of the Long White Cloud By William Cleveland (October 2003)

"Hallelujah" Diary By Jane Hirshberg (January 2003)

23 Questions From Teachers that Artists Can Help Answer By Linda Frye Burnham (December 1999)

30 Years and Counting: A Context for Building a Shared Cross-Cultural Commons By Jack (John Kuo Wei) Tchen (November 2007)

Taking Over and Talking Back: Theater as a Forum on Gentrification By Caron Atlas (February 2010)

[classified]: stories that catalyze dialogue about diversity By Laura Agnich, Kimberly Baker, Megan Carney and Shannon Turner (June 2008)

A Bridge Conversation about Animating a Latin American Idea in the U.S. By Vanessa Whang (April 2008)

A Bridge Conversation about Creating Transformative Spaces By Kathy Engel (April 2008)

A Bridge Conversation on Anthropology as Social Activism By Rebecca Lena Richardson (April 2008)

A Bridge Conversation on Connecting Action and Academia in California's Central Valley By Tim Marema (March 2008)

A Bridge Conversation on Creating with a Sense of Strategic Practice By Jason Bulluck (April 2008)

A Bridge Conversation on Direct and Indirect Approaches to Community Change By Valerie Martinez, Robby Rodriguez, Molly Sturges and Rosina Roibal (June 2008)

A Bridge Conversation on Innovative Approaches to Linking Nonprofit and For-profit Models By Adam Forest Huttler (April 2008)

A Bridge Conversation on Listening to the Stories Underneath the Work We Do By Rebecca Lena Richardson (June 2008)

A Bridge Conversation on New Paradigms of Artful Change By Dudley Cocke, Peter Pennekamp and Craig McGarvey (March 2008)

A Bridge Conversation on Planning the Revolution over Collards By Javiera Benavente (June 2008)

A Bridge Conversation on Politics and Humanity By Caron Atlas (March 2008)

A Bridge Conversation on Traditional and Organic Bridging By Edyael Casaperalta (April 2008)

A Bridge Conversation on Who Will Carry the Work Forward By Caron Atlas, Rebecca Lena Richardson and Carlton Turner (June 2008)

A Bridge Conversation on the Creativity of Community Development By Gayle Isa (March 2008)

A Bridge Conversation on the Creativity of Strategic Communications By Michelle Miller (June 2008)

A Bridge Conversation on the Interweave of Culture and Ecology By Caron Atlas (April 2008)

A Bridge Conversation on the Power of Art To Move People By Anan Ameri (March 2008)

A Bridge Conversation on the Spiritual Core of Indigenous Social Justice By Vanessa Whang (March 2008)

A Bridge Conversation on the Tensions and Synergies of Being Strategic and Creative By Esther Robinson (June 2008)

A Brief Introduction to Augusto Boal By Douglas L. Paterson (December 1999)

A Call for Cultural Development By Dudley Cocke and Ruby Lerner (October 2003)

A Daring Adventure: Artists and teachers partner for school reform By Linda Frye Burnham (December 1999)

A Decentralized National Conversation: The Curriculum Project Report By Arlene Goldbard (November 2008)

A Jar in Tennessee By Richard Owen Geer (May 2005)

A Journey of Discouragement and Hope: An Introduction to Arts and Corrections By Grady Hillman (December 2001)

A Lack of Guts and Intellectual Vigor Hobbles the Foundation World By Pablo Eisenberg (April 2002)

A Landmark Year: Community Arts and U.S. Higher Education 2006 By Linda Frye Burnham (September 2006)

A More Perfect Union By Linda Frye Burnham (February 2003)

A New Beginning: The Evolving Relationship between Artist and Community By Christina Ralls (October 2008)

A New Day in the Academy By Ken Krafchek (June 2008)

A Place in the Sun: Report on the 2005 Ensemble Theater Festival By Linda Frye Burnham (September 2005)

A Proposed Job Swap To Save American Capitalism By Liz Lerman (March 2009)

A Question of Values (February 2000)

A Really Big Reason: An Interview with Marty Pottenger By Catherine Jo (April 2003)

A Response to the CAN Report By Lee Ann Norman (May 2006)

A Summer of Reading By Linda Frye Burnham (July 2000)

A Text as a Bridge — for You, You and You By Gwylene Gallimard and Hope Clark (January 2010)

ActALIVE: Addressing HIV/AIDS-Related Grief and Healing Through Art By Janet Feldman (August 2007)

Acting Crazy: Spying on, Jamming with and Crooning about Anxiety and Depression By Gail Marlene Schwartz (October 2009)

Acting Like Women: Performance Art of the Woman's Building By Cheri Gaulke (September 2002)

Acting on a Dream By Linda Frye Burnham (December 1999)

Activate the Learning, Support the Field: The Community-based Practicum in Youth Arts By Nicole Garneau (December 2005)

Activism with Heart: The Voices Against Violence Project By Claire Canavan (January 2005)

Adrian Fisher: Locomotive Labyrinth (December 1999)

After the Hurricane: Survivors' Words and Pictures By Piper Hanson (August 2006)

Afterwords: A Conversation Around "Making Art/Making Home" (October 2003)

Afterwords: A Conversation Around "Making Art/Making Home" – Part 2 (October 2003)

All Over the Map: The Top 20 Stories on the Community Arts Network, 2009 By Linda Frye Burnham (January 2010)

An Accidental Community Artist: The Making of the PhotoBooth Project By Christopher Irion (August 2008)

An Ethic of the End: How Planning and Evaluation Make Art Political By David Sloan (September 2008)

An Introduction to Alternate ROOTS By Kathie deNobriga (October 2003)

An Introduction to Community Art and Activism By Jan Cohen-Cruz (February 2002)

An Introduction to Training in Community Arts By Linda Frye Burnham (September 2001)

An Introduction to the Arts-for-Health Movement, or How the Arts Sneaked in on the Medical Model By Janice Palmer (November 2001)

An Introduction to the ROOTS Reader By Linda Frye Burnham (October 2003)

Answering the Call of the Drums By Alice Lovelace (November 2003)

Appalachia's Roadside Theater: Celebration of a Community's Culture By Donna Porterfield (September 2002)

Art & The Public Purpose: A New Framework Launches By Arlene Goldbard (October 2009)

Art Action for Social Change: Kids on the Hill By Mark Carter and Rebecca Yenawine (August 2008)

Art Centers for Adults with Disabilities By Elias Katz (February 2002)

Art Club: A Safe Space in Baltimore By Mari Gardner (February 2007)

Art Grades Don't Count By Thomas Hatfield (September 1999)

Art Jump Off!: Choice at the Center of a Middle-school Afterschool Arts Program By John Giordano and Kassandra Derby (October 2008)

Art Work, Social Work: An Interview with Kara McDonagh By Linda Frye Burnham (September 2006)

Art and Ceremony By Barbara T. Smith (September 2002)

Art and Its Transformative Power By Charles H. Lawson (December 2007)

Art and U.S. Elections 2004 By Linda Frye Burnham (June 2004)

Art in Context: Industrial Pittsburgh catching up with Bill Strickland By Gil Ott (December 1999)

Art in Rebuilding Community: The Transforma Project in New Orleans By Jan Cohen-Cruz (June 2007)

Art in a Democracy By Dudley Cocke (October 2002)

Art in the AIDies: An Act of Faith By Max Navarre (September 2002)

Art in the House: Project Row Houses By Shaila Dewan (December 1999)

Artibarri: To Share and Debate in Catalonia By Arlene Goldbard (September 2007)

Artists on the Spot By Martha Bowers (November 2000)

Arts and Creative Aging Across America By Susan Perlstein (October 2002)

Arts, Activism and Humanity – The Prison Creative Arts Project By Geetha Iyer (August 2008)

As Vishnu Dreams By Shishir Kurup (March 2005)

Attending to Your Process for Healthy Collaboration By Sheila Kerrigan (March 2001)

Authentic Passion: An introduction to the arts in rural and small communities By Janet Brown (March 2002)

Behind the Fence: Forum Theatre on Lupus, Lead Poisoning & Environmental Justice By John Sullivan (February 2008)

Belfast's Mount Vernon: Community Arts Shapes a New Vision By Anne-Sophie Morrisette (January 2006)

Belongings - A Neighborhood Search: Creative Alliance at The Patterson By Luisa Bieri de Rios (September 2008)

Best Practices or Principles of Practice? Reflecting upon Language & Roles By Melanie Ohm (July 2008)

Between Grace and Fear: The Role of the Arts in a Time of Change By William Cleveland and Patricia A. Shifferd (June 2008)

Between Me and the Giant: Imagination Workshop By William Cleveland (September 2002)

Between the Diaspora and the Crinoline: An Interview with Bonnie Sherk By Linda Frye Burnham (September 2002)

Between the Edge and the Root: Action Lab in Hunts Point By Jan Cohen-Cruz (July 2006)

Beyond Disability: The Fe Fe Stories By Jennifer Roche (December 2004)

Beyond Victimization By Dan Kwong (October 2003)

Body of Faith By Luis Alfaro (March 2005)

Book Review - Arts for Change: Teaching Outside the Frame By Anusha Venkataraman (April 2009)

Book Review: Art and Upheaval: Artists on the World Frontlines By Craig Zelizer (July 2008)

Book Review: Community Performance: An Introduction By Richard Owen Geer (August 2008)

Book Review: New Creative Community By Tom Borrup (November 2006)

Book Review: The Creative Community Builder’s Handbook By Libby Maynard (November 2006)

Book Review: Works of Heart By Jennifer Roche (April 2007)

Bridges, Translations and Change: The Arts as Infrastructure in 21st Century America By William Cleveland (December 1999)

Bridging Art and Research: An Interview with Susan Monagan By Linda Frye Burnham (February 2006)

Building the Creative Class from the Grassroots: How community is built by the eight theaters in "Performing Communities" By Linda Frye Burnham (November 2002)

Cómo un teatro en Bolivia enfrenta los problemas de la privatización del agua By Eve Tulbert (May 2004)

CWT#3: Making City Water Tunnel #3 By Marty Pottenger (September 2002)

Call Me in '93: An Interview with James Luna By Steven Durland (September 2002)

Campus-Community Partnerships: Supporting or Destroying the Field of Community Arts? By Sonia BasSheva Mañjon (July 2008)

Cannons and Muses: Art in Real-time Crisis By Moran Been-noon (June 2009)

Canoes in New Zealand: Coastal Mappings By Petra Kuppers (April 2006)

Case for Creative Arts Therapy, The By Joel Plotkin (December 1999)

Caution - Heart of the Beast Near By Debra Frasier (April 2000)

Center for Cultural Exchange: It's About Form, Content and Letting Go By Tom Borrup (September 2003)

Challenging Our Students' Place through Collaborative Art: A Service-Learning Approach By Karen Hutzel (March 2008)

Changes: An Interview with Liz Lerman at the End of the "Hallelujah" Trail By Linda Frye Burnham (March 2003)

Chaos, Art and the Age of Uncertainty By William Cleveland (December 1999)

Cheerleader for the Revolution: Thoughts on Carpetbag Theater Company By Ann Kilkelly (November 2002)

Children's Choir Bridges Racial Divide in Michigan By Larry and Sandy Feldman (January 2010)

Common Memory: The Community Visual Art Challenge of Gwylène Gallimard By Linda Frye Burnham (December 2004)

Common Sense and Common Ground By William Cleveland (September 2001)

Community Artists Bring Lessons About Creativity and Learning in Difficult Times By Erica Kohl (November 2005)

Community Arts 2007: A Muscular Year By Linda Frye Burnham (December 2007)

Community Arts 2008: The Year of the Great Leap By Linda Frye Burnham (December 2008)

Community Arts Perspectives: An Editorial By Amalia Mesa-Bains (June 2008)

Community Arts and Technology: Confessions of a Quiet Practitioner By Joe Lambert (May 2002)

Community Arts, Popular Participation and Teatro Comunitario: Buenos Aires’ Programa Cultural en Barrios By Ruth Juliet Wikler-Luker (August 2007)

Community Conversations through the Arts: Artistic Response After the Virginia Tech Tragedy By Shannon Turner (August 2008)

Community Spectacle: A Place of Magic By Molly Ross (November 2008)

Community Works: Sambo Mockbee and the Rural Studio By Bruce Lindsey (September 2007)

Community, Culture and Globalization By Don Adams and Arlene Goldbard (January 2002)

Community-based Art for Social Change By Kathie deNobriga and Mat Schwarzman (October 1999)

Comparative Arts Training in Richmond's Inner City By Jordan Simmons (September 2008)

Complexities and Collaborations at the School of the Art Institute of Chicago By Celina Aguilar and Kate McLeod (July 2008)

Concentric Circles: An Interview with Mary Jane Jacob By Carole Tormollan (December 1999)

Concentric Circles: Traditional Forms in Contemporary Performance By Celeste Miller (March 2003)

Condom Sense: A Real Life Education with About Face Youth Theatre By Paula Gilovich (December 2009)

Conference Notes, Toronto – Community Arts: What's in a Name? By Linda Frye Burnham (December 2006)

Conference Report: Engaging Through Place at Imagining America By Nicole Garneau (March 2007)

Constructing Alternative Narratives: Mid-Western Bridges By J. Otis Powell! (October 2006)

Converging Streams: The Community Arts and Sustainable Community Movements By Patricia A. Shifferd and Dorothy Lagerroos (November 2006)

Conversations at the Intersection of Art and Activism By Linda Frye Burnham (April 2003)

Core Arts: Mississippi Arts Commission and Communities in Schools Greenwood LeFlore By Grady Hillman (August 2008)

Cornerstone's Faith-based Theater Cycle: How Does Faith Unite and Divide Us? By Jan Freya (January 2006)

Courting Catharsis By Gerard Stropnicky (October 1999)

Creating Behind the Razor Wire: An Overview of Arts in Corrections in the U.S. By Krista Brune (January 2007)

Creating a Generative Moment — An Interview with Arlene Goldbard By Jan Cohen-Cruz (July 2004)

Creating a Model for Institutional and Personal Change with Music Theatre Workshop By Meade Palidofsky (June 2008)

Creating a Monster: Capitalism in the Community Arts Classroom By Brandi Rose (September 2009)

Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 1) By Susan Monagan, Susan Christopherson and Suzanne Loker (August 2007)

Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 2) By Susan Monagan, Susan Christopherson and Suzanne Loker (August 2007)

Creative Organizations: Putting Culture to Work in Community Development By Tom Borrup (January 2004)

Creativity, Faith and a Stronger Community By Maryo Gard Ewell (August 2006)

Crisscrossing the University-Community Borderline: The 31st Annual Social Theory, Politics and the Arts Conference By Nicole Garneau (December 2005)

Cross Tides: Getting the picture By Linda Frye Burnham (December 1999)

Cultura para Todos: Colombian Community Arts... and politics By Susan Appe (January 2007)

Cultural Exchange vs. Cultural Tourism By Bau Graves (February 2010)

Cultural Organizing: A Conversation at the Intersection (August 2006)

Cultural Organizing: Third World Majority, Raices and M.U.G.A.B.E.E. By Javiera Benavente (December 2008)

Cultural Policy: In the board rooms and on the streets By Caron Atlas (August 2002)

Culture After Saddam: Video Artists Restore a Country's Identity in Iraqi Kurdistan By Ann Zimmerman (December 1999)

Culture and Development: A New Paradigm By Cristina Losito (October 2000)

D.B.D. - the Mind/Body Spa: An Interview with Rachel Rosenthal By Linda Frye Burnham (September 2002)

Damn Good Theater – What It Is And How To Get It in Blue Lake, California: Thoughts on The Dell'Arte Company By Robert H. Leonard (November 2002)

Dance Camp for Grown-ups By Maggie Kast (January 2000)

Dance and Older People: An Interview with Catherine Baumgartner By Renya Larson (October 2005)

Dance as Activism: Questions for a Little Black Girl By Carol Marie Webster (August 2008)

Dancing Dolphins: Approaches to Eco-Arts and Community Dance By Petra Kuppers (September 2005)

Dancing From the Heart: Urban-based Community Arts By Richard Owen Geer (May 2002)

Dancing for God: An Interview with Penny Godboldo By Linda Frye Burnham (March 2003)

Dancing in Community: Its Roots in Art By Liz Lerman (September 2002)

Dancing in the Blind Spot By Stuart Pimsler (July 2005)

Darn It, But Thank You By Linda Frye Burnham (June 2002)

Days and Nights with DAH By William Cleveland (February 2005)

Declaration of Cultural Human Rights By Alliance for Cultural Democracy (August 2004)

Deep Dish TV By Linda Yablonska (December 1999)

Deeper than Skin or Gender: Community Arts and Cultural Diversity By Alice Lovelace (July 2002)

Demarginalizing Art By Caron Atlas (July 2005)

Developing Partners: Inside Three Arts Organizations By Takiyah Nur Amin (August 2005)

Dialectic of Community Arts Practice and Globalization, or Is This Parade Going the Wrong Way? By Tom Borrup (June 2003)

Digitizing the Extended Family By Joyce Fernandes (December 1999)

Disguised as a Poem: My Years Teaching Poetry at San Quentin By Judith Tannenbaum (August 2000)

Do It Yourself: Producing Performance Art on Election Day By Pegi Taylor (January 2009)

Doing Time in the Garden: Life Lessons Through Prison Horticulture By James Jiler (June 2007)

Don't Do It! Organizational Suicide Prevention for Progressives By Arlene Goldbard (September 2004)

Drawing the Line at Place: The Environmental Justice Project By Mat Schwarzman (September 2002)

Drum Sticks: A Story From Scrap Mettle SOUL, Chicago By Eve Tulbert (June 2002)

Ecoartists: Engaging Communities in a New Metaphor By Patricia Watts (January 2005)

Educational Reform — A Quick Glance (December 1999)

El Teatro Campesino: An Interview with Luis Valdez By Carl Heyward (September 2002)

El Teatro Lucha de Salud del Barrio: Theater and Environmental Health in Texas By John Sullivan (October 2005)

End Cultural Isolationism By Dudley Cocke (November 2001)

Enlightenment Through Collaboration By Brett Cook (October 2009)

Euro Bytes By Robin Oppenheimer (March 2000)

Everybody Say Hallelujah By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Burlington, Vermont, residency By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Los Angeles, California, residency By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Michigan residency By Linda Frye Burnham (January 2002)

Everybody Say Hallelujah: the Minneapolis, Minnesota, residency By Linda Frye Burnham (December 2001)

Everybody Say Hallelujah: the North Carolina residencies By Linda Frye Burnham (January 2003)

Examining the Challenge of Cultural Diversity By Arlene Goldbard (April 2005)

Exchanging Gifts in Charleston, South Carolina By Darryl Lorenzo Wellington (March 2009)

Expanding the Frame of Educational Thinking By Arnold Aprill (May 2005)

Exploring Religious Tolerance through Community-Based Theater By Sharon Green (June 2005)

Eye of the Storm: Reflections on Violence By David Jeffreys (May 2007)

Faces of Fruitvale: Peralta Hacienda Historical Park By Erica Kohl (February 2001)

Finding Multiple Truths in Challenging Times By Jane Hirshberg (June 2008)

Finding Our Wings: A Community Documentary Program By Kirsten D'Andrea Hollander (November 2008)

Finding the Thread of an Interrupted Conversation: the Arts, Education, and Community By Arnold Aprill (February 2002)

First We Make Music: An Introduction to Music and Community Arts By Patricia A. Shifferd (March 2002)

Five Keys to Growing a Healthy Community-connected Museum By Ron Chew (February 2005)

Folklife, Meet Community Arts By Bau Graves (January 2004)

For What It's Worth: Uncovering the Hidden Value in Work By Lara Lepionka (April 2007)

Fostering Commitment: The Community Arts Corps By Kara McDonagh (August 2008)

Framework for Understanding Ruby Payne By E. Blaise DePaolo (June 2008)

From Ghana to Greece to Lakota Sioux Nation: Cultural Diversity in Arts in Corrections By Claire Schwadron (November 2009)

Fugitive Sites, Fugitive Meanings By Arlene Goldbard (May 2003)

Getting It Wrong: How We Fail and What We Learn By Nicole Garneau and Sanjit Sethi (December 2009)

Getting Outside the Bubble: Tisch School of the Arts' Campus-Community Connection By Linda Frye Burnham (May 2005)

Getting in History's Way By Claire Peeps (August 2001)

Giving “Birth” in Little Rock By April Gentry-Sutterfield (June 2009)

Glossary of Terms from Augusto Boal's Theatre of the Oppressed By Jan Cohen-Cruz and Mady Shutzman (December 1999)

Going Green with Public Art Policy By Elizabeth Bostwick (December 2008)

Going The Other Way with Scrap Mettle SOUL By Jennifer Roche (June 2004)

Good Work: Ethics and Community Cultural Development with Children and Youth By Stephani Etheridge Woodson (October 2009)

Grass ROOTS Vanguard By Don Adams and Arlene Goldbard (August 2002)

Grassroots Arts Education on the Cutting Edge: An Interview with Sonia BasSheva Mañjon By Linda Frye Burnham (September 2006)

Grassroots, Community-based Theater: A View of the Field and Its Context By Robert H. Leonard (December 2003)

Growing Together: Artists & Farmers Meet in Lancashire By Linda Frye Burnham (October 2006)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Asheville residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Boone residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Greensboro residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Raleigh residency By Linda Frye Burnham (January 2003)

Hallelujah Wire (October 2000)

Hallelujah/USA: Call and Response By John Borstel (March 2003)

Hands Across Skid Row: John Malpede's Performance Workshop for the homeless of L.A. By Linda Frye Burnham (December 1999)

Help Wanted! Communities Reach Out By Linda Frye Burnham and Steven Durland (February 2007)

Herstory: Spider Woman Series By Donna Henes (March 2005)

High And Low: Partnerships Among Museums and Community-based Arts Organizations By Prudence Browne (September 2009)

High Mass in the Church of Art: The "Hallelujah" Finale By Linda Frye Burnham (March 2003)

Higher Ground: Informal Arts, Cultural Policy and the Evolving Role of Nonprofits By Tom Borrup (July 2007)

Holding the Door Open: An Interview with Homer Jackson By Gil Ott (December 1999)

Holly's Comets By Ronald Ehmke (December 1999)

How Face-to-Face Art Changes Lives: Cornerstone's Bill Rauch testifies before Congress By Bill Rauch (September 1999)

How To Document an Event By Linda Frye Burnham (September 2004)

How To Use a Consensus Process To Make Decisions By Sheila Kerrigan (September 2004)

I Am of a Place... By Jo Carson (October 2003)

I Can Write a River: An interview with Jo Carson By Linda Frye Burnham (December 1999)

I Was Singing You By Alice Lovelace (November 2006)

INROADS: The Intersection of Art & Civic Dialogue By Andrea Assaf, Pam Korza and Barbara Schaffer-Bacon (August 2002)

Ideology, Confrontation and Political Self-Awareness By Adrian Piper (September 2002)

Imagination Workshop: Disciplining the imagination By William Cleveland (December 1999)

Impatience with Things as They Are: Art faces a developmental challenge By Linda Frye Burnham (December 1999)

In His Own Words: An interview with Augusto Boal By Douglas L. Paterson and Mark Weinberg (December 1999)

In Search of Katha — Celebrating the Power of Story in India By Amanda Leigh Lichtenstein (April 2004)

In a City of Bubbles and Barriers: The Studio Baltimore Project By Becky Slogeris (September 2009)

In the Midst: Cultivating Citizens/Artists By Kate Collins (August 2008)

Insights from Arts and Civic Engagement: 13 Profiles By Rebecca Lena Richardson (November 2008)

Integrating Community Arts and Conflict Resolution: Lessons and Challenges from the Field By Craig Zelizer (June 2007)

Intermedia Arts: Bringing Many Voices to the Table By Tom Borrup (September 2003)

Interposing on the Collective Culture through the Arts: A Case Study of One University Course By Rachel Marie-Crane Williams (June 2008)

Intersections of Community Arts and Activism with a Liberal Arts Education By Mindy Nierenberg (July 2008)

Introducing Community Arts Perspectives, Volume II By Amalia Mesa-Bains (September 2009)

Introduction to The Citizen Artist: 20 Years of Art in the Public Arena By Steven Durland (September 2002)

It Was a Time of Hope – A Time of Challenge By Alice Lovelace (October 2003)

It's About Building Relationships: Duke Performance Students Engage Community in Durham By Sheila Kerrigan (November 2004)

It's About Transformation: Thoughts on Arts as Social Action By Mat Schwarzman (December 1999)

It's All I Can Think About: An Interview with Nancy Buchanan By Linda Frye Burnham and Steven Durland (September 2002)

It's Hard to Watch Your Brother Die: A Story from the Dead Man Walking School Theatre Project By Shelly Johnson and Jared Williams (November 2006)

Jumping In with Courage: An Interview with Ken Krafchek By Linda Frye Burnham (September 2006)

Just a Little Drop of Water: How a community based theater in Bolivia addresses the problem of water privatization By Eve Tulbert (May 2004)

Keeping it Real: The People's Agenda for Economic Justice By Linda Frye Burnham (February 2004)

Knowing the Secrets Behind the Laughter: Findings of The Grassroots Ensemble Theater Research Project By Ann Kilkelly and Robert H. Leonard (March 2003)

LA Commons: Engaging Youth in Community-based Cultural Tourism By Karen Mack (December 2009)

LAPD Inspects Raleigh By Linda Frye Burnham (December 1999)

LAPD, Skid Row & The Real Deal By Elia Arce and John Malpede (September 2002)

Latitude 32° – Navigating Home By Suzanne Lacy (October 2003)

Laughing and Crying in An Age of Anxiety: An Interview with Liz Lerman By Linda Frye Burnham (January 2003)

Laughing at the Edge: Thoughts on WagonBurner Theater Troop By Ann Kilkelly (November 2002)

Learning Culture and Change: A Place-based Community Arts Training Model By William Cleveland, Wendy Morris and Erik Takeshita (December 2009)

Learning at Street Level: Columbia College Chicago's New Youth-Arts Master's Degree By Linda Frye Burnham (February 2004)

Learning from My Life: Why I Chose Youth Arts By Erin Patinkin (February 2004)

Learning to Translate Art into the Language of Community By Christy Zuccarini (September 2006)

Lessons from the Art of Solidarity: A Teaching Experience in Nicaragua By Cinder Hypki (November 2009)

Let Art Begin at Home: The Amery Story By LaMoine MacLaughlin (March 2005)

Let's Give Them Something to Talk About: Animating Democracy's Last Gathering By Linda Frye Burnham (November 2003)

Letter from an Artist: Boyle Heights, The Power of Place By Dan Kwong (March 2003)

Letter from an Artist: Catching Magic in the Los Padillas Water Catchment Project By Chrissie Orr (November 2004)

Letter from an Artist: Invisible Lines By Lauren Elder (July 2003)

Letter from an Artist: Jules Corriere By Jules Corriere (September 2001)

Letter from an Artist: Marty Pottenger By Marty Pottenger (October 2001)

Letter from an Artist: The Dream Life of Bricks By Martha Bowers (December 2002)

Letter from an Artist: The Wallpaper Project By Rachel Barber (April 2004)

Listen Up: Sojourn Theatre's Lessons in Community Dialogue By Linda Frye Burnham (September 2005)

Listening for the Lexicon of Cultural Shift By Linda Frye Burnham (May 2007)

Little Epiphanies: Thoughts on Roadside Theater By Ann Kilkelly (November 2002)

Living Like a Refugee: Peggy Diggs Takes a Design Problem to Prison By Linda Frye Burnham (March 2007)

Living in the Questions of Animating Democracy By Kate Collins (January 2006)

Living with the Doors Open: An Interview with Blondell Cummings By Veta Goler (September 2002)

Living with the Doors Open: An interview with Blondell Cummings (December 1999)

Liz Lerman By Chris Westberg (December 1999)

Looking Back, Looking Ahead: An Address to the Wisconsin Regional Writers Conference By Maryo Gard Ewell (January 2009)

Love and Respect at Work in the Creative Process: Thoughts on Cornerstone Theater Company By Robert H. Leonard (November 2002)

Lynne Hull By Sue Thornton (December 1999)

Lyrical Expression, Critical Engagement, Transformative Action: An Introduction to Art and the Environment By Tim Collins (June 2003)

Magic Glue: The Politics and Personality of Jump-Start By Ann Kilkelly (November 2002)

Maintaining Humanity: An Interview with Grady Hillman about Arts-in-Corrections By Steven Durland (September 2002)

Making Art in Booklyn: Each One Teach One By Jamie Munkatchy (March 2005)

Making Art in the Outdoors: Community-based Residential Youth Arts Camps By Katie Schumm (August 2008)

Making Art/Making Home (October 2003)

Making Art/Making Home: An Introduction By Neill Bogan (October 2003)

Making Community: Voices from the dialogues By Gwylene Gallimard (October 2003)

Making Exact Change: How U.S. arts-based programs have made a significant and sustained impact on their communities By William Cleveland (November 2005)

Making Things and Making Things Better By Frances McCue (October 2004)

Making the Road By Julia Di Bussolo (September 2009)

Mapping Within: The Making of a University-community Arts Partnership By Amanda Leigh Lichtenstein and Rachel McIntire (December 2005)

Mapping the Field: Arts-Based Community Development By William Cleveland (May 2002)

Marisela Norte and Willie Garcia: Metro Art (December 1999)

Mary Giehl: Shadows of Children (December 1999)

May I Borrow? By Elizabeth Johnson (March 2003)

Meaning or McCalgary? By Maryo Gard Ewell (March 2002)

Measuring Change in Continental Harmony By William Cleveland and Patricia A. Shifferd (June 2001)

Mildred Howard and Amalia Mesa-Bains: A Conversation on Community and Public Art By Amalia Mesa-Bains (October 2009)

Miles from Nowhere: Teaching Dance in Prison By Leslie Neal (September 2002)

Minding the Gap: A Cross-Generational Dialogue, Part I By Arlene Goldbard and Lee Ann Norman (June 2006)

Minding the Gap: A Cross-Generational Dialogue, Part II By Arlene Goldbard and Lee Ann Norman (June 2006)

Models for Working with Youth in Community Arts By Stephani Etheridge Woodson (September 2008)

Moira Hahn By Sara Wolf (December 1999)

Mother Africa Laughs: The Rwandan Folk Tale Project By Judd Hardy (December 2006)

Muraleando — Community Arts in a Havana Barrio By Henri Ewaskio (July 2004)

Music Crosses Over at the House of Blues By Jennifer Roche (May 2004)

My Iron Tri-Angel: An Urban Neighborhood Seeks To Tell Its Own Story By Jordan Simmons (February 2010)

Nayo Watkins: Creating Art, Transforming Lives, One Community at a Time By Andrea Hamilton (April 2003)

Negotiations: Learning Hard Lessons By Robert H. Leonard (October 2003)

Neighborhood-based Cultural Programs and the Emerging Eco-industrial Era By Michael B. Schwartz (October 2009)

Neither That Nor That: Trading Stories at the Intersection of Arts and Penal Welfare By Nina Billone (May 2008)

Network of Ensemble Theatre Holds First Festival, Conference By Robert H. Leonard (August 1999)

New Beginnings for Old Stories? A Problematic Institution/Community Partnership By Sarah Tooley (November 2009)

New Orleans Case Studies: Illustrating Coalition Work of Organizers, Educators and Artists (February 2004)

New Orleans, As It Is By Mat Schwarzman (April 2006)

News from the Freire and Boal Conference By Robert H. Leonard (August 1999)

Nine Eleven, Fear and Hand Me Down Shoes By Linda Frye Burnham (April 2002)

No Time for the Blues (Aesthetic) By Pearl Cleage (September 2002)

Norma Bradley: Community Quilt Project (December 1999)

Not Your Father's Art Center: The Center for Contemporary Art's Teen Project in Santa Fe By Steven Durland (December 1999)

Not Your Mother's Skateboarding Camp: Interviews at the National Teen Institute By Linda Frye Burnham (March 2003)

Notes on Prison Theater in Northern Uganda, Part 1 By Kevin M. Bott (September 2007)

Notes on Prison Theater in Northern Uganda, Part 2 By Kevin M. Bott (October 2007)

Notes on Prison Theater in Northern Uganda, Part 3 By Kevin M. Bott (November 2007)

O.J. Simpson Coloring & Activity Book By Colin Quashie (January 2005)

Of the People, By the People, and For the People: The field of community performance By Richard Owen Geer (September 2002)

Of the People, By the People, and For the People: The field of community performance By Richard Owen Geer (October 1999)

On Cultural Citizenship By John Killacky (December 1999)

On the Side of the Deepest Soul on Earth: An Interview with Ja Kyung Rhee and Hye Sook of Theatre 1981 By Steven Durland (September 2002)

On the Yard: Prison art connects with the outside By Tom Skelly (December 1999)

One Mosaic, Many Voices: Piecing Together the Story of Baltimore's 1968 Riots By Christina Ralls (October 2009)

Opus B By Chris Westberg (December 1999)

Organizing and Theater: Bus Riders Union By Erica Kohl (February 2001)

Overlaps, Intersections and Conflicts: An Introduction to Arts and Culture By Arlene Goldbard (March 2002)

Pangea World Theater: Vibrant Voice of Immigrants and Exiles By John Townsend (May 2006)

Paradigms on the Move: The Groundworks Monongahela Conference By Cynthia Robinson (December 2005)

Part of a Greater Whole – Reflections on Intersection IV: Re/Generations By Caron Atlas (November 2006)

Partnering for GOOD: Sojourn Theatre Cuts a Deal By Maureen Towey (November 2007)

Pearl Ubungen: In the Alley By Katia Noyes (December 1999)

Performances at the Festival of Ensemble Theaters By Robert H. Leonard (August 1999)

Performing Communities: Introduction (November 2002)

Pictures on the Land: Dutchess County "Farm Again" crop art By Steven Durland (December 1999)

Pink Slips and Short Toes: An Interview with Celeste Miller By Linda Frye Burnham (March 2003)

Pittsburgh Project REMIX: Animating a Historical Landmark By Megan Carney (September 2009)

Places To Study: Opportunities in Community Arts By Linda Frye Burnham (March 2001)

Policy Research on Community Arts: A Collective Endeavor By Maria-Rosario Jackson (July 2002)

Postcards from the Community Arts Convening and Research Project, 2009-2010 By Amalia Mesa-Bains (March 2010)

Postscript to the Past: Notes Toward a History of Community Arts By Arlene Goldbard (December 1999)

Power and Mastery — Negotiations in Community-based Visual Art By Neill Bogan (October 2003)

Power in Practice: Notes on a New Kind of Arts Conference By Linda Frye Burnham (October 2003)

Practicing in Public By Mary Jane Jacob (October 2003)

Principles of Working in a Community: Resources for Social Change By Gwylene Gallimard and Hope Clark (September 2008)

Professional Jaywalker: Richard Posner on crossing from the studio to public art By Douglas Eby (September 2002)

Promoting Self and Community Empowerment Through Critical Pedagogy in a Community Art Program By Christopher O. Adejumo (October 2008)

Promoting Social Justice with San Francisco's Most Creative Capital By Maria X. Martinez (April 2009)

Public Art's Cultural Evolution By Jack Becker (February 2002)

Putting Culture Back into Agriculture By Maryo Gard Ewell (December 2006)

Putting Culture to Work: Three N.Y.C. Youth Theaters By Heather Stickeler (December 2008)

Que No Se Vuelva a Repetir By Aryeh Shell (May 2008)

RFK in EKY: Maximum Feasible Participation By Jane Hirshberg (November 2004)

ROOTS & Race: Walking Our Talk By Lisa Mount (March 2004)

ROOTS Goes to Spoleto: A Report By Frank Martin (October 2003)

Re/Generations: Bridging the Centuries of Art & Activism By Linda Frye Burnham (November 2006)

Really Caring: Why a comprehensive healthcare system includes the arts By Susan Perlstein (December 1999)

Reclaiming Culture: ¡Que Viva La Posada! By Aryeh Shell (January 2008)

Reflections on Convergence: A Youth Perspective on Intersection IV By Jacqueline Johnson and Raul Matta (November 2006)

Reflections on New Orleans (February 2004)

Reform or Enrichment: Policy Mandates and Program Goals in Community Youth Arts By Lori Hager (November 2008)

Rehearsing for Dramatic Change in Afghanistan By Sonja Arsham Kuftinec (December 2004)

Relationship, Reciprocity, Reclamation: The Arts at Cal State Monterey Bay By Jan Freya (April 2007)

Residency Story: They Won't Dance, Don't Ask Them (December 1999)

Resolving Conflicts: A Poet's Residency in Tulsa By Alice Lovelace (September 2002)

Resonant Spaces/Dynamic Flow By James Garrett Jr. (March 2004)

Restorative Justice and Visual Restoration in Philadelphia By Robyn Buseman (May 2009)

Revising Confinement: Transformations in a Prison Writing Workshop By Barbara Roswell and Pamela Sheff (December 2008)

Revolutionizing the Making of a Museum: Putting Teens in Charge By Carol Ng-He and Erin Dragotto (February 2010)

Rez CAP By John Peacock (July 2008)

Richard Florida's High-class Glasses By Ann Daly (October 2004)

Richard Kamler By Laura Jamison (December 1999)

Riding the Sine Wave of "Hallelujah": An Interview with Joy Gill By Linda Frye Burnham (March 2003)

Ripples of the Fourth Wave: New York's viBePoetry By Dana Edell (February 2006)

Ritual Keeper: An Interview with Anna Halprin By Janice Steinberg (September 2002)

River Voice By Linda Frye Burnham (May 2000)

River of Words and Images By Linda Frye Burnham (May 2000)

Running Commentary: Alternate ROOTS By Linda Frye Burnham (October 2003)

Running To Catch Up with the People: A Conversation with Robert Gard, Ralph Kohlhoff and Michael Warlum, 1969 By Michael F. Warlum (September 2004)

Safe Spaces Community Creations: The Mosaic Wall Project By Mari Gardner (November 2008)

Shards, Circles, Jails, Journeys and Cootie Shots: Four New Books By Linda Frye Burnham (April 2002)

Sharing Space: Collaborative Programming Within and Between Communities By Mairead Case, Annie Knepler and Rupal Soni (November 2009)

Sharing the Future: Boston: IBA / Arte y Cultura By Alan West (December 1999)

Sharing the Future: Philadelphia: The Village of Arts and Humanities By Gil Ott (December 1999)

Sharing the Future: San Antonio: The Guadalupe Cultural Arts Center By Lynn Gosnell (December 1999)

Sharing the Future: The arts and community development By Gil Ott (December 1999)

She Who Would Fly: An Interview with Suzanne Lacy By Richard Newton (September 2002)

Shock of the Real: An Interview with Karen Finley By Margot Mifflin (September 2002)

Shooting the Klan: An Interview with Andres Serrano By Coco Fusco (September 2002)

Signals of Exchange By Johanna Poethig (October 2009)

Signs of Welcome, Signs of the Possible: Public Practice in Rural California By Emily Roehl (June 2009)

Silence Still = Death By Lucy Lippard (September 2002)

Silk Road Theatre Project's Alternative Cultural Education By Carol Ng-He (February 2009)

Singing on the Mountain: A View of Alternate ROOTS By Kenneth C. Raphael (October 2003)

Small Town America ReDesigns Itself into Prosperity By Jennifer Roche (July 2005)

Social Imagination: Documenting Engagement in Canada By Linda Frye Burnham (February 2009)

Socially Engaged Art, Critics and Discontents: An Interview with Claire Bishop By Jennifer Roche (July 2006)

Solo Performing as Call To Arms By Tim Miller (March 2002)

Some Historical Threads of the Community Arts Story (and why they are important). By Maryo Gard Ewell (July 2002)

South Dakota Celebrates a Black Pioneer By Susan Stoneback (July 2006)

Speaking in Poems By Spoon Jackson (May 2007)

Spirit of Tibet By Wendy Morris (March 2005)

Spirit of the Northwest (March 2001)

States of Shock & Unknowing: On Documenting the Wake of Katrina & Rita in Southern Louisiana By John Sullivan (April 2006)

Steel Festival: Art of an Industry By Linda Frye Burnham (October 1999)

Steelbound and Pouring the Sun: An artistic connection with a people's yearning By Robert H. Leonard (October 1999)

Stepping In and Out: Performance Art in the Community College ESL Curriculum By Carol Ng (October 2006)

Street Cred: Two Community Arts Exhibitions in Baltimore By Linda Frye Burnham (April 2006)

Structuring a Catalytic Arts Education Program: The Saturday Program at Cooper Union By Karma Mayet Johnson (June 2008)

Student Assessment Questionnaire (December 1999)

Support for Art and Social Justice By Claudine Brown (February 2003)

Surviving Genocide: The Rwanda Healing Project By Lily Yeh (December 2005)

Swamp Gravy: Northerners tell stories in private and call it therapy. Southerners tell stories in public and call it swapping lies. By Richard Owen Geer (December 1999)

Swappin' Lies in Miller County: The Story of Swamp Gravy By Linda Frye Burnham (December 1999)

Swimming in the River of Words 2001 By Linda Frye Burnham (June 2001)

Taking Action: Teaching Participatory Community-based Theater By Linda Frye Burnham and Mark Weinberg (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Amy Sarno (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Ann Elizabeth Armstrong (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Kate Mendeloff (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Leslie Delmenico (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Mark Weinberg (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Sharon Green (September 2001)

Taking Action: Teaching Participatory Community-based Theater – Sonja Kuftinec (September 2001)

Taking Back the Power: An Interview with Robbie Conal By Claire Peeps (September 2002)

Taking Down the Walls from the Outside By Marshall Weber (December 1999)

Taking It to the Bank: Unlocking Community Cultural Assets By Tom Borrup (November 2003)

Talk About Change: A Conference in Belfast By Linda Frye Burnham (January 2006)

Tamejavi By Dudley Cocke (May 2005)

Tapping In: An interview with Bill Rauch, director of "Steelbound" By Linda Frye Burnham (October 1999)

Teaching Museum Studies Through a Social-justice Lens By Lila Staples (December 2009)

Teaching Topics for Community-based Arts for Social Change By Alternate ROOTS (November 1999)

TeenStreet By David Krasnow (December 1999)

Telling It... The Art of Storytelling By Adora Dupree (October 2003)

Telling and Listening in Public: Factors for Success By Linda Frye Burnham (February 2001)

Telling and Listening in Public: The Critical Discourse By Linda Frye Burnham (February 2001)

Telling and Listening in Public: The Sustainability of Storytelling By Linda Frye Burnham (February 2001)

Telling the Truth in a Small Town: Ukiah Players Theater By Erica Kohl (February 2001)

The "Place: Vision and Voice" Program – Power, Authenticity and Ethics By Stephani Etheridge Woodson (May 2004)

The 1000 Kites Summit: A Community Arts Focus Group By Linda Frye Burnham (October 2007)

The Administration of Cultural Democracy: Three Experiments By Tom Borrup (September 2003)

The Alternate ROOTS Dilemma: From Little Black Sambo to Son of White Man By Pat Arnow (October 2003)

The Art and Craft of Integrating “Social Justice Ally” Curriculum into Service-Learning By Kate Collins (September 2009)

The Art of Discussion: Defining Community Art Methodology By Rebecca Yenawine (November 2009)

The Art/Life Experiment By Linda Frye Burnham (September 2002)

The Artist and Power By Anne Douglas and Chris Fremantle (November 2007)

The Artist as Activist By Linda Frye Burnham (September 2002)

The Artist as Citizen By Linda Frye Burnham (September 2002)

The Artist as Citizen: Guillermo Gómez-Peña, Felipe Ehrenberg, David Avalos and Judy Baca By Emily Hicks (September 2002)

The Artmaker as Active Agent: Six Portraits By Susan Monagan (February 2006)

The Arts and Community Strengthening By Maryo Gard Ewell (May 2001)

The Arts and The Wisconsin Idea: A Conference Report By Maryo Gard Ewell (December 2003)

The Athena Project: Refining the Practice of Mentorship in Community Art By Minette Lee Mangahas (September 2006)

The Benefits of Community Art on the Fringe By Maria Beach, Natalya Brusilovsky, Michael Mendoza and Cynthia Ruffin (January 2004)

The CAN Report: The State of the Field of Community Cultural Development: Something New Emerges By Linda Frye Burnham, Steven Durland and Maryo Gard Ewell (August 2004)

The Choices We Have and Our Privilege To Move On By Laura D. Cohen (November 2009)

The Circle Is Already Listening: Littleglobe's Collaborative Creative Process By Molly Sturges (November 2008)

The Citizen Artist By Aida Mancillas (September 2002)

The Citizen Artist: 20 Years of Art in the Public Arena By Linda Frye Burnham and Steven Durland (September 2002)

The Coalition of Essential Schools By Linda Frye Burnham (December 1999)

The Collaboration Among Youth, Organizers and Artists By Whitney Frazier (September 2008)

The Common Principles of the Coalition of Essential Schools (December 1999)

The Community Artist from the Community By Ashley Minner (August 2008)

The Community Cultural Development Field By Don Adams and Arlene Goldbard (August 2001)

The Creative Economy: Views from Abroad By Tom Borrup (January 2009)

The Crisis in Agriculture Is a Crisis of Culture By Ian Hunter and Celia Larner (January 2001)

The Curriculum Project Dialogues By Jan Cohen-Cruz (January 2010)

The Cutting Edge Is Enormous: Liz Lerman and Richard Owen Geer By Linda Frye Burnham (September 2002)

The Dandelion School Transformation Project in China By Lily Yeh and Kelly Tannen (August 2008)

The Dynamism of Arts-service Organizations By Roberto Bedoya (January 2002)

The Ecology of Theater-in-community: A Field Theory By Jan Cohen-Cruz (November 2002)

The Eye & Tooth Project: Confronting Capital Punishment in Texas By John Sullivan (August 2009)

The Flood of Possibilities: An Interview with Michelle Pearson By Linda Frye Burnham (January 2003)

The Four Pillars of Creative Action By Kathryn Blume (February 2004)

The Funder's Tale By Dan Yashinsky (June 2007)

The Gentle Giant By Jimmy Boyle (June 2005)

The Importance of Self-Reflection for Community-based Educators By Sheila K. Fox (July 2008)

The Joy of Producing Some Lovely Thing and Freeing Some Craving for Expression By Dudley Cocke (April 2000)

The Latino Dialogue: A Shared Narrative of Hope and Power By Amalia Mesa-Bains (February 2010)

The Liberatory Critique By Ken Krafchek (December 2009)

The Long, Hot Summer of Service: Community Artists on The Job By Arlene Goldbard (July 2009)

The Metrics Syndrome By Arlene Goldbard (October 2008)

The Need for a Community Arts University Without Walls By Marta Moreno Vega (February 2010)

The New Hybridity: HOME, New Orleans and Emerging Forms of Community/ University/Arts Collaboration By Ron Bechet and Amy Koritz (September 2008)

The New New Deal 2009: Public Service Jobs for Artists? By Arlene Goldbard (December 2008)

The New New Deal, Part 2 - A New WPA for Artists: How and Why By Arlene Goldbard (January 2009)

The Partnering of Artists and Communities: New Methods Evolving in the Durham CAPP By Nayo Barbara Malcolm Watkins (October 2003)

The Path of Stories: Artists and The Thousand Kites Project By Arlene Goldbard (May 2008)

The Pedagogy of Intangible Heritage: Los Cenzontles and Mexican Folk Music By Maribel Alvarez (May 2006)

The Porch — A Cultural Center in the Seventh Ward of New Orleans By Ron Bechet, Willie Birch and Helen Regis (July 2008)

The Practices and Pedagogy of Pepón Osorio By Amalia Mesa-Bains and Pepón Osorio (October 2008)

The Rubber Meets the Road: Community Arts Activism and Cultural Hegemony By Carol Marie Webster (December 2009)

The Saints Go Marching In By Kathie deNobriga (December 1999)

The Selma Project: "Understanding, the Struggle for Community" By Robert H. Leonard (September 2002)

The Story Revolution: How Telling Our Stories Transforms the World By Arlene Goldbard (January 2005)

The Streets: Where Do They Reach By Guillermo Gómez-Peña (September 2002)

The Twin Rigors of Art and Community, or Not the People Who Said Green: Thoughts on Teatro Pregones By Robert H. Leonard (November 2002)

The Walking Project: Desire Lines, Walking and Mapping Across Continents By Erika Block (June 2005)

The Year of the Rope: An Interview with Linda Montano & Tehching Hsieh By Alex Grey and Allyson Grey (September 2002)

The YouthARTS Development Project By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: Art-at-Work By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: Conclusion By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: Lessons Learned By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: National Evaluation of the YouthARTS Development Project By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: Urban smARTS By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

The YouthARTS Development Project: Youth Arts Public Art By Heather J. Clawson and Kathleen Coolbaugh (July 2001)

Theater As an Act of Citizenship: Thoughts on the Los Angeles Poverty Department By Robert H. Leonard (November 2002)

These are the times that try our Souls By Grace Lee Boggs (November 2003)

Thinking Outside the Cubicle? Does the 501(c)(3) Box Stifle Creativity in the Dot-com Era? By Tom Borrup (February 2006)

Third Space: Youth, Arts and Community Development By Lori Hager (October 2006)

This Is for Anthony Beard By Susan Hill (March 2003)

Tikkun Olam: To Repair the World By Doug Rosenberg (March 2005)

Touch Sanitation: Mierle Laderman Ukeles By Robert C. Morgan (September 2002)

Toward Asset-Based Community Cultural Development: A Journey Through the Disparate Worlds of Community Building By Tom Borrup (April 2003)

Toward a New Folk Dance: Caregivers and other partners By Stuart Pimsler (September 2002)

Toward a New Folk Dance: Caregivers and other partners (December 1999)

Toward a Process for Critical Response By Liz Lerman (October 2003)

Town Artist: An Interview with David Harding By Moira Roth (September 2002)

Training and Partnerships in Rutgers’ Transcultural New Jersey Public Service Arts Program By Linda Melamed and Isabel Nazario (July 2008)

Trans-Siberia and Back Again: Capturing the Moving Mind By Darryl Lorenzo Wellington (March 2006)

Transcending Words: Dance For Tolerance By Dana Edell (July 2007)

Trimming the Sails: Assessing a Program in Midstream By Phyllis Johnson (December 2009)

Trouble in Oz: Australia's Community Cultural Development Programs Threatened By Arlene Goldbard (March 2005)

Truth UP: 23 Insights, admonitions and ideas about youth arts from the great masters By William Cleveland (August 2003)

Turning the Mirror Outward through Funding…Inward through Transformation: Meeting the Challenge By Carolyn Morris (March 2004)

Two Lines of Sight and An Unexpected Connection: The Art of Helen Mayer Harrison and Newton Harrison By Arlene Raven (September 2002)

Uma Faveleira Resistente (A Hardy Plant) By Bill Grow (March 2004)

Up the Revolution By Linda Frye Burnham (December 1999)

Urban Alchemy: In Search of a Formula for the City of Tomorrow By Tom Borrup (December 2003)

Urban Bush Women and Community Engagement Pedagogy By Sophia Chakos-Leiby (November 2009)

Valuing Public Scholarship: An Interview with Doug Blandy By Linda Frye Burnham (October 2006)

Viewpoint: Community Collaborative Arts By Johanna Poethig (June 2008)

Virtual Reality Warriors: Native American Culture in Cyberspace By Patric Hedlund (December 1999)

Voices from the Battlefront: Achieving Cultural Equity Through Critical Analysis By Jamie Haft (September 2009)

Walaalo! Diverse Ambitions in Community-based Arts By Ayaan Agane (September 2009)

Walking the Talk: Artists connecting with community By Joan Schirle (March 2000)

Warts and All: The Partnership that Built a Community Arts Graduate Program By Nicole Garneau and Phyllis Johnson (July 2008)

We All Are Theater: An Interview with Augusto Boal By Douglas L. Paterson and Mark Weinberg (September 2002)

We Are All Connected: Elders Share the Arts By Linda Frye Burnham and Susan Perlstein (September 2002)

We Are All Connected: Elders Share the Arts building bridges across the generation gap (December 1999)

We're All at the Table: In the Working Class Kitchen By Ann Kilkelly and Laverne Zabielski (October 2003)

What Can You Teach Me? Intergenerational Community Arts in the Baltimore Lumbee Community By Ashley Minner (December 2009)

What Does Democracy Look Like? By Lucy Winner and Katt Lissard (April 2005)

What Happened in New Orleans? Reflections on the National Convergence of Artists, Educators and Organizers By Andrea Assaf (February 2004)

What Happens When the Revolution Doesn't Come? By Keith Hennessy (December 1999)

What the Moment Requires of Us: Toward Egalitarian Relationships in Community Arts Mentoring By Cinder Hypki (September 2008)

What’s Good Enough? Excellence and Expertise in Community Arts Training By Jerri Allyn (December 2009)

What's Revolutionary About Valuing Assets as a Strategy in Cultural Work? By Tom Borrup (September 2005)

When Kennedy Came to Kentucky By Linda Frye Burnham (August 2004)

When Seeing Is Not Believing: Community-based Arts and Criticism By Jan Cohen-Cruz (June 2002)

When Stories Talk to Stories: The Dialogue of Dance By Peter DiMuro (March 2003)

Where Has All the Grassroots Touring Gone? By Dudley Cocke (June 2006)

Wholly Dedicated: Baltimore Clayworks' Studio Satellites in Inner-city Neighborhoods By Deborah Bedwell (December 2008)

Whose Agenda Is It, Anyway? Documentary Burdens, Community Benefits By Lynn McKnight (August 2003)

Why Not Football? The Politics of Youth Arts Programs in America By Mat Schwarzman (May 2002)

Wide Awake in Lost Hills: Reflections from the Students of the Inaugural Cornerstone Institute By Kate Collins (February 2005)

Wing Luke Asian Museum: A Place for Voices Not Otherwise Listened To By Tom Borrup (September 2003)

Witness: The Guerrilla Theater of Greenpeace By Steven Durland (December 1999)

Witnessing a Drama of Soul: NYU's Tisch School of the Arts Takes Americorps to the Theater By Jan Cohen-Cruz (December 1999)

Working Methods: Tools for Making Good Community Art By Community Arts Network (October 2004)

Working with Today’s Service-Learning Students: Personal and Pedagogical Challenges By Stephanie Johnson (November 2009)

World Savvy: Mapping a Creative Path to Global Education By Dana Edell (August 2008)

Writing Deeply: A Discussion with Three Writers By Linda Frye Burnham, Jan Cohen-Cruz and Sonja Arsham Kuftinec (June 2002)

Writings from Women on the Inside By Pat Graney (June 2004)

Yes in My Front Yard: Participation and the Public Art Process By Marie Gee (December 1999)

Young People's Art Works Toward Social Change: Performing Visions of Utopia By Sharon Verner Chappell (October 2008)

[How] Does Activist Performance Work? By Sonja Arsham Kuftinec (February 2008)

zAmya Theater Project: Toward an Intimacy of Social Change By Rachel Chaves (February 2008)