All CAN Essays (Alphabetical)

“To Be American” — Teaching the Role of the Artist in Animating Democracy By Kate Collins (July 2004)

"Creative Spaces" in the Land of the Long White Cloud By William Cleveland (October 2003)

"Hallelujah" Diary By Jane Hirshberg (January 2003)

23 Questions From Teachers that Artists Can Help Answer By Linda Frye Burnham (December 1999)

30 Years and Counting: A Context for Building a Shared Cross-Cultural Commons By Jack (John Kuo Wei) Tchen (November 2007)

[classified]: stories that catalyze dialogue about diversity By Laura Agnich, Kimberly Baker, Megan Carney and Shannon Turner (June 2008)

A Bridge Conversation about Animating a Latin American Idea in the U.S. By Vanessa Whang (April 2008)

A Bridge Conversation about Creating Transformative Spaces By Kathy Engel (April 2008)

A Bridge Conversation on Anthropology as Social Activism By R. Lena Richardson (April 2008)

A Bridge Conversation on Connecting Action and Academia in California's Central Valley By Tim Marema (March 2008)

A Bridge Conversation on Creating with a Sense of Strategic Practice By Jason Bulluck (April 2008)

A Bridge Conversation on Direct and Indirect Approaches to Community Change By Valerie Martinez, Robby Rodriguez, Molly Sturges and Rosina Roibal (June 2008)

A Bridge Conversation on Innovative Approaches to Linking Nonprofit and For-profit Models By Adam Forest Huttler (April 2008)

A Bridge Conversation on Listening to the Stories Underneath the Work We Do By R. Lena Richardson (June 2008)

A Bridge Conversation on New Paradigms of Artful Change By Dudley Cocke, Peter Pennekamp and Craig McGarvey (March 2008)

A Bridge Conversation on Planning the Revolution over Collards By Javiera Benavente (June 2008)

A Bridge Conversation on Politics and Humanity By Caron Atlas (March 2008)

A Bridge Conversation on Traditional and Organic Bridging By Edyael Casaperalta (April 2008)

A Bridge Conversation on Who Will Carry the Work Forward By Caron Atlas, R. Lena Richardson and Carlton Turner (June 2008)

A Bridge Conversation on the Creativity of Community Development By Gayle Isa (March 2008)

A Bridge Conversation on the Creativity of Strategic Communications By Michelle Miller (June 2008)

A Bridge Conversation on the Interweave of Culture and Ecology By Caron Atlas (April 2008)

A Bridge Conversation on the Power of Art To Move People By Anan Ameri (March 2008)

A Bridge Conversation on the Spiritual Core of Indigenous Social Justice By Vanessa Whang (March 2008)

A Bridge Conversation on the Tensions and Synergies of Being Strategic and Creative By Esther Robinson (June 2008)

A Brief Introduction to Augusto Boal By Douglas L. Paterson (December 1999)

A Call for Cultural Development By Dudley Cocke and Ruby Lerner (October 2003)

A Daring Adventure: Artists and teachers partner for school reform By Linda Frye Burnham (December 1999)

A Jar in Tennessee By Richard Owen Geer (May 2005)

A Journey of Discouragement and Hope: An Introduction to Arts and Corrections By Grady Hillman (December 2001)

A Lack of Guts and Intellectual Vigor Hobbles the Foundation World By Pablo Eisenberg (April 2002)

A Landmark Year: Community Arts and U.S. Higher Education 2006 By Linda Frye Burnham (September 2006)

A More Perfect Union By Linda Frye Burnham (February 2003)

A New Day in the Academy By Ken Krafchek (June 2008)

A Place in the Sun: Report on the 2005 Ensemble Theater Festival By Linda Frye Burnham (September 2005)

A Question of Values (February 2000)

A Really Big Reason: An Interview with Marty Pottenger By Catherine Jo (April 2003)

A Response to the CAN Report By Lee Ann Norman (May 2006)

A Summer of Reading By Linda Frye Burnham (July 2000)

ActALIVE: Addressing HIV/AIDS-Related Grief and Healing Through Art By Janet Feldman (August 2007)

Acting Like Women: Performance Art of the Woman's Building By Cheri Gaulke (September 2002)

Acting on a Dream By Linda Frye Burnham (December 1999)

Activate the Learning, Support the Field: The Community-based Practicum in Youth Arts By Nicole Garneau (December 2005)

Activism with Heart: The Voices Against Violence Project By Claire Canavan (January 2005)

Adrian Fisher: Locomotive Labyrinth (December 1999)

After the Hurricane: Survivors' Words and Pictures By Piper Hanson (August 2006)

Afterwords: A Conversation Around "Making Art/Making Home" (October 2003)

Afterwords: A Conversation Around "Making Art/Making Home" – Part 2 (October 2003)

An Accidental Community Artist: The Making of the PhotoBooth Project By Christopher Irion (August 2008)

An Introduction to Alternate ROOTS By Kathie deNobriga (October 2003)

An Introduction to Community Art and Activism By Jan Cohen-Cruz (February 2002)

An Introduction to Training in Community Arts By Linda Frye Burnham (September 2001)

An Introduction to the Arts-for-Health Movement, or How the Arts Sneaked in on the Medical Model By Janice Palmer (November 2001)

An Introduction to the ROOTS Reader By Linda Frye Burnham (October 2003)

Answering the Call of the Drums By Alice Lovelace (November 2003)

Appalachia's Roadside Theater: Celebration of a Community's Culture By Donna Porterfield (September 2002)

Art Action for Social Change: Kids on the Hill By Mark Carter and Rebecca Yenawine (August 2008)

Art Centers for Adults with Disabilities By Elias Katz (February 2002)

Art Club: A Safe Space in Baltimore By Mari Gardner (February 2007)

Art Grades Don't Count By Thomas Hatfield (September 1999)

Art Work, Social Work: An Interview with Kara McDonagh By Linda Frye Burnham (September 2006)

Art and Ceremony By Barbara T. Smith (September 2002)

Art and Its Transformative Power By Charles H. Lawson (December 2007)

Art and U.S. Elections 2004 By Linda Frye Burnham (June 2004)

Art in Context: Industrial Pittsburgh catching up with Bill Strickland By Gil Ott (December 1999)

Art in Rebuilding Community: The Transforma Project in New Orleans By Jan Cohen-Cruz (June 2007)

Art in a Democracy By Dudley Cocke (October 2002)

Art in the AIDies: An Act of Faith By Max Navarre (September 2002)

Art in the House: Project Row Houses By Shaila Dewan (December 1999)

Artibarri: To Share and Debate in Catalonia By Arlene Goldbard (September 2007)

Artists on the Spot By Martha Bowers (November 2000)

Arts and Creative Aging Across America By Susan Perlstein (October 2002)

Arts, Activism and Humanity – The Prison Creative Arts Project By Geetha Iyer (August 2008)

As Vishnu Dreams By Shishir Kurup (March 2005)

Attending to Your Process for Healthy Collaboration By Sheila Kerrigan (March 2001)

Authentic Passion: An introduction to the arts in rural and small communities By Janet Brown (March 2002)

Behind the Fence: Forum Theatre on Lupus, Lead Poisoning & Environmental Justice By John Sullivan (February 2008)

Belfast's Mount Vernon: Community Arts Shapes a New Vision By Anne-Sophie Morrisette (January 2006)

Best Practices or Principles of Practice? Reflecting upon Language & Roles By Melanie Ohm (July 2008)

Between Grace and Fear: The Role of the Arts in a Time of Change By William Cleveland and Patricia A. Shifferd (June 2008)

Between Me and the Giant: Imagination Workshop By William Cleveland (September 2002)

Between the Diaspora and the Crinoline: An Interview with Bonnie Sherk By Linda Frye Burnham (September 2002)

Between the Edge and the Root: Action Lab in Hunts Point By Jan Cohen-Cruz (July 2006)

Beyond Disability: The Fe Fe Stories By Jennifer Roche (December 2004)

Beyond Victimization By Dan Kwong (October 2003)

Body of Faith By Luis Alfaro (March 2005)

Book Review: Art and Upheaval: Artists on the World Frontlines By Craig Zelizer (July 2008)

Book Review: Community Performance: An Introduction By Richard Owen Geer (August 2008)

Book Review: New Creative Community By Tom Borrup (November 2006)

Book Review: The Creative Community Builder’s Handbook By Libby Maynard (November 2006)

Book Review: Works of Heart By Jennifer Roche (April 2007)

Bridges, Translations and Change: The Arts as Infrastructure in 21st Century America By William Cleveland (December 1999)

Bridging Art and Research: An Interview with Susan Monagan By Linda Frye Burnham (February 2006)

Building the Creative Class from the Grassroots: How community is built by the eight theaters in "Performing Communities" By Linda Frye Burnham (November 2002)

Cómo un teatro en Bolivia enfrenta los problemas de la privatización del agua By Eve Tulbert (May 2004)

CWT#3: Making City Water Tunnel #3 By Marty Pottenger (September 2002)

Call Me in '93: An Interview with James Luna By Steven Durland (September 2002)

Campus-Community Partnerships: Supporting or Destroying the Field of Community Arts? By Sonia BasSheva Mañjon (July 2008)

Canoes in New Zealand: Coastal Mappings By Petra Kuppers (April 2006)

Case for Creative Arts Therapy, The By Joel Plotkin (December 1999)

Caution - Heart of the Beast Near By Debra Frasier (April 2000)

Center for Cultural Exchange: It's About Form, Content and Letting Go By Tom Borrup (September 2003)

Challenging Our Students' Place through Collaborative Art: A Service-Learning Approach By Karen Hutzel (March 2008)

Changes: An Interview with Liz Lerman at the End of the "Hallelujah" Trail By Linda Frye Burnham (March 2003)

Chaos, Art and the Age of Uncertainty By William Cleveland (December 1999)

Cheerleader for the Revolution: Thoughts on Carpetbag Theater Company By Ann Kilkelly (November 2002)

Common Memory: The Community Visual Art Challenge of Gwylène Gallimard By Linda Frye Burnham (December 2004)

Common Sense and Common Ground By William Cleveland (September 2001)

Community Artists Bring Lessons About Creativity and Learning in Difficult Times By Erica Kohl (November 2005)

Community Arts 2007: A Muscular Year By Linda Frye Burnham (December 2007)

Community Arts Perspectives: An Editorial By Amalia Mesa-Bains (June 2008)

Community Arts and Technology: Confessions of a Quiet Practitioner By Joe Lambert (May 2002)

Community Arts, Popular Participation and Teatro Comunitario: Buenos Aires’ Programa Cultural en Barrios By Ruth Juliet Wikler-Luker (August 2007)

Community Conversations through the Arts: Artistic Response After the Virginia Tech Tragedy By Shannon Turner (August 2008)

Community Works: Sambo Mockbee and the Rural Studio By Bruce Lindsey (September 2007)

Community, Culture and Globalization By Don Adams and Arlene Goldbard (January 2002)

Community-based Art for Social Change By Kathie deNobriga and Mat Schwarzman (October 1999)

Complexities and Collaborations at the School of the Art Institute of Chicago By Celina Aguilar and Kate McLeod (July 2008)

Concentric Circles: An Interview with Mary Jane Jacob By Carole Tormollan (December 1999)

Concentric Circles: Traditional Forms in Contemporary Performance By Celeste Miller (March 2003)

Conference Notes, Toronto – Community Arts: What's in a Name? By Linda Frye Burnham (December 2006)

Conference Report: Engaging Through Place at Imagining America By Nicole Garneau (March 2007)

Constructing Alternative Narratives: Mid-Western Bridges By J. Otis Powell! (October 2006)

Converging Streams: The Community Arts and Sustainable Community Movements By Patricia A. Shifferd and Dorothy Lagerroos (November 2006)

Conversations at the Intersection of Art and Activism By Linda Frye Burnham (April 2003)

Core Arts: Mississippi Arts Commission and Communities in Schools Greenwood LeFlore By Grady Hillman (August 2008)

Cornerstone's Faith-based Theater Cycle: How Does Faith Unite and Divide Us? By Jan Freya (January 2006)

Courting Catharsis By Gerard Stropnicky (October 1999)

Creating Behind the Razor Wire: An Overview of Arts in Corrections in the U.S. By Krista Brune (January 2007)

Creating a Generative Moment — An Interview with Arlene Goldbard By Jan Cohen-Cruz (July 2004)

Creating a Model for Institutional and Personal Change with Music Theatre Workshop By Meade Palidofsky (June 2008)

Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 1) By Susan Monagan, Susan Christopherson and Suzanne Loker (August 2007)

Creative Economy Practitioner's Toolkit: Taking Advantage of Campus and Community Resources (Part 2) By Susan Monagan, Susan Christopherson and Suzanne Loker (August 2007)

Creative Organizations: Putting Culture to Work in Community Development By Tom Borrup (January 2004)

Creativity, Faith and a Stronger Community By Maryo Gard Ewell (August 2006)

Crisscrossing the University-Community Borderline: The 31st Annual Social Theory, Politics and the Arts Conference By Nicole Garneau (December 2005)

Cross Tides: Getting the picture By Linda Frye Burnham (December 1999)

Cultura para Todos: Colombian Community Arts... and politics By Susan Appe (January 2007)

Cultural Organizing: A Conversation at the Intersection (August 2006)

Cultural Policy: In the board rooms and on the streets By Caron Atlas (August 2002)

Culture After Saddam: Video Artists Restore a Country's Identity in Iraqi Kurdistan By Ann Zimmerman (December 1999)

Culture and Development: A New Paradigm By Cristina Losito (October 2000)

D.B.D. - the Mind/Body Spa: An Interview with Rachel Rosenthal By Linda Frye Burnham (September 2002)

Damn Good Theater – What It Is And How To Get It in Blue Lake, California: Thoughts on The Dell'Arte Company By Robert H. Leonard (November 2002)

Dance Camp for Grown-ups By Maggie Kast (January 2000)

Dance and Older People: An Interview with Catherine Baumgartner By Renya Larson (October 2005)

Dance as Activism: Questions for a Little Black Girl By Carol Marie Webster (August 2008)

Dancing Dolphins: Approaches to Eco-Arts and Community Dance By Petra Kuppers (September 2005)

Dancing From the Heart: Urban-based Community Arts By Richard Owen Geer (May 2002)

Dancing for God: An Interview with Penny Godboldo By Linda Frye Burnham (March 2003)

Dancing in Community: Its Roots in Art By Liz Lerman (September 2002)

Dancing in the Blind Spot By Stuart Pimsler (July 2005)

Darn It, But Thank You By Linda Frye Burnham (June 2002)

Days and Nights with DAH By William Cleveland (February 2005)

Declaration of Cultural Human Rights By Alliance for Cultural Democracy (August 2004)

Deep Dish TV By Linda Yablonska (December 1999)

Deeper than Skin or Gender: Community Arts and Cultural Diversity By Alice Lovelace (July 2002)

Demarginalizing Art By Caron Atlas (July 2005)

Developing Partners: Inside Three Arts Organizations By Takiyah Nur Amin (August 2005)

Dialectic of Community Arts Practice and Globalization, or Is This Parade Going the Wrong Way? By Tom Borrup (June 2003)

Digitizing the Extended Family By Joyce Fernandes (December 1999)

Disguised as a Poem: My Years Teaching Poetry at San Quentin By Judith Tannenbaum (August 2000)

Doing Time in the Garden: Life Lessons Through Prison Horticulture By James Jiler (June 2007)

Don't Do It! Organizational Suicide Prevention for Progressives By Arlene Goldbard (September 2004)

Drawing the Line at Place: The Environmental Justice Project By Mat Schwarzman (September 2002)

Drum Sticks: A Story From Scrap Mettle SOUL, Chicago By Eve Tulbert (June 2002)

Ecoartists: Engaging Communities in a New Metaphor By Patricia Watts (January 2005)

Educational Reform — A Quick Glance (December 1999)

El Teatro Campesino: An Interview with Luis Valdez By Carl Heyward (September 2002)

El Teatro Lucha de Salud del Barrio: Theater and Environmental Health in Texas By John Sullivan (October 2005)

End Cultural Isolationism By Dudley Cocke (November 2001)

Euro Bytes By Robin Oppenheimer (March 2000)

Everybody Say Hallelujah By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Burlington, Vermont, residency By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Los Angeles, California, residency By Linda Frye Burnham (May 2001)

Everybody Say Hallelujah: the Michigan residency By Linda Frye Burnham (January 2002)

Everybody Say Hallelujah: the Minneapolis, Minnesota, residency By Linda Frye Burnham (December 2001)

Everybody Say Hallelujah: the North Carolina residencies By Linda Frye Burnham (January 2003)

Examining the Challenge of Cultural Diversity By Arlene Goldbard (April 2005)

Expanding the Frame of Educational Thinking By Arnold Aprill (May 2005)

Exploring Religious Tolerance through Community-Based Theater By Sharon Green (June 2005)

Eye of the Storm: Reflections on Violence By David Jeffreys (May 2007)

Faces of Fruitvale: Peralta Hacienda Historical Park By Erica Kohl (February 2001)

Finding Multiple Truths in Challenging Times By Jane Hirshberg (June 2008)

Finding the Thread of an Interrupted Conversation: the Arts, Education, and Community By Arnold Aprill (February 2002)

First We Make Music: An Introduction to Music and Community Arts By Patricia A. Shifferd (March 2002)

Five Keys to Growing a Healthy Community-connected Museum By Ron Chew (February 2005)

Folklife, Meet Community Arts By Bau Graves (January 2004)

For What It's Worth: Uncovering the Hidden Value in Work By Lara Lepionka (April 2007)

Fostering Commitment: The Community Arts Corps By Kara McDonagh (August 2008)

Framework for Understanding Ruby Payne By E. Blaise DePaolo (June 2008)

Fugitive Sites, Fugitive Meanings By Arlene Goldbard (May 2003)

Getting Outside the Bubble: Tisch School of the Arts' Campus-Community Connection By Linda Frye Burnham (May 2005)

Getting in History's Way By Claire Peeps (August 2001)

Glossary of Terms from Augusto Boal's Theatre of the Oppressed By Jan Cohen-Cruz and Mady Shutzman (December 1999)

Going The Other Way with Scrap Mettle SOUL By Jennifer Roche (June 2004)

Grass ROOTS Vanguard By Don Adams and Arlene Goldbard (August 2002)

Grassroots Arts Education on the Cutting Edge: An Interview with Sonia BasSheva Mañjon By Linda Frye Burnham (September 2006)

Grassroots, Community-based Theater: A View of the Field and Its Context By Robert H. Leonard (December 2003)

Growing Together: Artists & Farmers Meet in Lancashire By Linda Frye Burnham (October 2006)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Asheville residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Boone residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Greensboro residency By Linda Frye Burnham (January 2003)

Hallelujah North Carolina: From the Piedmont to the Blue Ridge - the Raleigh residency By Linda Frye Burnham (January 2003)

Hallelujah Wire (October 2000)

Hallelujah/USA: Call and Response By John Borstel (March 2003)

Hands Across Skid Row: John Malpede's Performance Workshop for the homeless of L.A. By Linda Frye Burnham (December 1999)

Help Wanted! Communities Reach Out By Linda Frye Burnham and Steven Durland (February 2007)

Herstory: Spider Woman Series By Donna Henes (March 2005)

High Mass in the Church of Art: The "Hallelujah" Finale By Linda Frye Burnham (March 2003)

Higher Ground: Informal Arts, Cultural Policy and the Evolving Role of Nonprofits By Tom Borrup (July 2007)

Holding the Door Open: An Interview with Homer Jackson By Gil Ott (December 1999)

Holly's Comets By Ronald Ehmke (December 1999)

How Face-to-Face Art Changes Lives: Cornerstone's Bill Rauch testifies before Congress By Bill Rauch (September 1999)

How To Document an Event By Linda Frye Burnham (September 2004)

How To Use a Consensus Process To Make Decisions By Sheila Kerrigan (September 2004)

I Am of a Place... By Jo Carson (October 2003)

I Can Write a River: An interview with Jo Carson By Linda Frye Burnham (December 1999)

I Was Singing You By Alice Lovelace (November 2006)

INROADS: The Intersection of Art & Civic Dialogue By Andrea Assaf, Pam Korza and Barbara Schaffer-Bacon (August 2002)

Ideology, Confrontation and Political Self-Awareness By Adrian Piper (September 2002)

Imagination Workshop: Disciplining the imagination By William Cleveland (December 1999)

Impatience with Things as They Are: Art faces a developmental challenge By Linda Frye Burnham (December 1999)

In His Own Words: An interview with Augusto Boal By Douglas L. Paterson and Mark Weinberg (December 1999)

In Search of Katha — Celebrating the Power of Story in India By Amanda Leigh Lichtenstein (April 2004)

In the Midst: Cultivating Citizens/Artists By Kate Collins (August 2008)

Integrating Community Arts and Conflict Resolution: Lessons and Challenges from the Field By Craig Zelizer (June 2007)

Intermedia Arts: Bringing Many Voices to the Table By Tom Borrup (September 2003)

Interposing on the Collective Culture through the Arts: A Case Study of One University Course By Rachel Marie-Crane Williams (June 2008)

Intersections of Community Arts and Activism with a Liberal Arts Education By Mindy Nierenberg (July 2008)

Introduction to The Citizen Artist: 20 Years of Art in the Public Arena By Steven Durland (September 2002)

It Was a Time of Hope – A Time of Challenge By Alice Lovelace (October 2003)

It's About Building Relationships: Duke Performance Students Engage Community in Durham By Sheila Kerrigan (November 2004)

It's About Transformation: Thoughts on Arts as Social Action By Mat Schwarzman (December 1999)

It's All I Can Think About: An Interview with Nancy Buchanan By Linda Frye Burnham and Steven Durland (September 2002)

It's Hard to Watch Your Brother Die: A Story from the Dead Man Walking School Theatre Project By Shelly Johnson and Jared Williams (November 2006)

Jumping In with Courage: An Interview with Ken Krafchek By Linda Frye Burnham (September 2006)

Just a Little Drop of Water: How a community based theater in Bolivia addresses the problem of water privatization By Eve Tulbert (May 2004)

Keeping it Real: The People's Agenda for Economic Justice By Linda Frye Burnham (February 2004)

Knowing the Secrets Behind the Laughter: Findings of The Grassroots Ensemble Theater Research Project By Ann Kilkelly and Robert H. Leonard (March 2003)

LAPD Inspects Raleigh By Linda Frye Burnham (December 1999)

LAPD, Skid Row & The Real Deal By Elia Arce and John Malpede (September 2002)

Latitude 32° – Navigating Home By Suzanne Lacy (October 2003)

Laughing and Crying in An Age of Anxiety: An Interview with Liz Lerman By Linda Frye Burnham (January 2003)

Laughing at the Edge: Thoughts on WagonBurner Theater Troop By Ann Kilkelly (November 2002)

Learning at Street Level: Columbia College Chicago's New Youth-Arts Master's Degree By Linda Frye Burnham (February 2004)

Learning from My Life: Why I Chose Youth Arts By Erin Patinkin (February 2004)

Learning to Translate Art into the Language of Community By Christy Zuccarini (September 2006)

Let Art Begin at Home: The Amery Story By LaMoine MacLaughlin (March 2005)

Let's Give Them Something to Talk About: Animating Democracy's Last Gathering By Linda Frye Burnham (November 2003)

Letter from an Artist: Boyle Heights, The Power of Place By Dan Kwong (March 2003)

Letter from an Artist: Catching Magic in the Los Padillas Water Catchment Project By Chrissie Orr (November 2004)

Letter from an Artist: Invisible Lines By Lauren Elder (July 2003)

Letter from an Artist: Jules Corriere By Jules Corriere (September 2001)

Letter from an Artist: Marty Pottenger By Marty Pottenger (October 2001)

Letter from an Artist: The Dream Life of Bricks By Martha Bowers (December 2002)

Letter from an Artist: The Wallpaper Project By Rachel Barber (April 2004)

Listen Up: Sojourn Theatre's Lessons in Community Dialogue By Linda Frye Burnham (September 2005)

Listening for the Lexicon of Cultural Shift By Linda Frye Burnham (May 2007)

Little Epiphanies: Thoughts on Roadside Theater By Ann Kilkelly (November 2002)

Living Like a Refugee: Peggy Diggs Takes a Design Problem to Prison By Linda Frye Burnham (March 2007)

Living in the Questions of Animating Democracy By Kate Collins (January 2006)

Living with the Doors Open: An Interview with Blondell Cummings By Veta Goler (September 2002)

Living with the Doors Open: An interview with Blondell Cummings (December 1999)

Liz Lerman By Chris Westberg (December 1999)

Love and Respect at Work in the Creative Process: Thoughts on Cornerstone Theater Company By Robert H. Leonard (November 2002)

Lynne Hull By Sue Thornton (December 1999)

Lyrical Expression, Critical Engagement, Transformative Action: An Introduction to Art and the Environment By Tim Collins (June 2003)

Magic Glue: The Politics and Personality of Jump-Start By Ann Kilkelly (November 2002)

Maintaining Humanity: An Interview with Grady Hillman about Arts-in-Corrections By Steven Durland (September 2002)

Making Art in Booklyn: Each One Teach One By Jamie Munkatchy (March 2005)

Making Art in the Outdoors: Community-based Residential Youth Arts Camps By Katie Schumm (August 2008)

Making Art/Making Home (October 2003)

Making Art/Making Home: An Introduction By Neill Bogan (October 2003)

Making Community: Voices from the dialogues By Gwylène Gallimard (October 2003)

Making Exact Change: How U.S. arts-based programs have made a significant and sustained impact on their communities By William Cleveland (November 2005)

Making Things and Making Things Better By Frances McCue (October 2004)

Mapping Within: The Making of a University-community Arts Partnership By Amanda Leigh Lichtenstein and Rachel McIntire (December 2005)

Mapping the Field: Arts-Based Community Development By William Cleveland (May 2002)

Marisela Norte and Willie Garcia: Metro Art (December 1999)

Mary Giehl: Shadows of Children (December 1999)

May I Borrow? By Elizabeth Johnson (March 2003)

Meaning or McCalgary? By Maryo Gard Ewell (March 2002)

Measuring Change in Continental Harmony By William Cleveland and Patricia A. Shifferd (June 2001)

Miles from Nowhere: Teaching Dance in Prison By Leslie Neal (September 2002)

Minding the Gap: A Cross-Generational Dialogue, Part I By Arlene Goldbard and Lee Ann Norman (June 2006)

Minding the Gap: A Cross-Generational Dialogue, Part II By Arlene Goldbard and Lee Ann Norman (June 2006)

Moira Hahn By Sara Wolf (December 1999)

Mother Africa Laughs: The Rwandan Folk Tale Project By Judd Hardy (December 2006)

Muraleando — Community Arts in a Havana Barrio By Henri Ewaskio (July 2004)

Music Crosses Over at the House of Blues By Jennifer Roche (May 2004)

Nayo Watkins: Creating Art, Transforming Lives, One Community at a Time By Andrea Hamilton (April 2003)

Negotiations: Learning Hard Lessons By Robert H. Leonard (October 2003)

Neither That Nor That: Trading Stories at the Intersection of Arts and Penal Welfare By Nina Billone (May 2008)

Network of Ensemble Theatre Holds First Festival, Conference By Robert H. Leonard (August 1999)

New Orleans Case Studies: Illustrating Coalition Work of Organizers, Educators and Artists (February 2004)

New Orleans, As It Is By Mat Schwarzman (April 2006)

News from the Freire and Boal Conference By Robert H. Leonard (August 1999)

Nine Eleven, Fear and Hand Me Down Shoes By Linda Frye Burnham (April 2002)

No Time for the Blues (Aesthetic) By Pearl Cleage (September 2002)

Norma Bradley: Community Quilt Project (December 1999)

Not Your Father's Art Center: The Center for Contemporary Art's Teen Project in Santa Fe By Steven Durland (December 1999)

Not Your Mother's Skateboarding Camp: Interviews at the National Teen Institute By Linda Frye Burnham (March 2003)

Notes on Prison Theater in Northern Uganda, Part 1 By Kevin M. Bott (September 2007)

Notes on Prison Theater in Northern Uganda, Part 2 By Kevin M. Bott (October 2007)

Notes on Prison Theater in Northern Uganda, Part 3 By Kevin M. Bott (November 2007)

O.J. Simpson Coloring & Activity Book By Colin Quashie (January 2005)

Of the People, By the People, and For the People: The field of community performance By Richard Owen Geer (September 2002)

Of the People, By the People, and For the People: The field of community performance By Richard Owen Geer (October 1999)

On Cultural Citizenship By John Killacky (December 1999)

On the Side of the Deepest Soul on Earth: An Interview with Ja Kyung Rhee and Hye Sook of Theatre 1981 By Steven Durland (September 2002)

On the Yard: Prison art connects with the outside By Tom Skelly (December 1999)

Opus B By Chris Westberg (December 1999)

Organizing and Theater: Bus Riders Union By Erica Kohl (February 2001)

Overlaps, Intersections and Conflicts: An Introduction to Arts and Culture By Arlene Goldbard (March 2002)

Pangea World Theater: Vibrant Voice of Immigrants and Exiles By John Townsend (May 2006)

Paradigms on the Move: The Groundworks Monongahela Conference By Cynthia Robinson (December 2005)

Part of a Greater Whole – Reflections on Intersection IV: Re/Generations By Caron Atlas (November 2006)

Partnering for GOOD: Sojourn Theatre Cuts a Deal By Maureen Towey (November 2007)

Pearl Ubungen: In the Alley By Katia Noyes (December 1999)

Performances at the Festival of Ensemble Theatres By Robert H. Leonard (August 1999)

Performing Communities: Introduction (November 2002)

Pictures on the Land: Dutchess County "Farm Again" crop art By Steven Durland (December 1999)

Pink Slips and Short Toes: An Interview with Celeste Miller By Linda Frye Burnham (March 2003)

Places To Study: Opportunities in Community Arts By Linda Frye Burnham (March 2001)

Policy Research on Community Arts: A Collective Endeavor By Maria-Rosario Jackson (July 2002)

Postscript to the Past: Notes Toward a History of Community Arts By Arlene Goldbard (December 1999)

Power and Mastery — Negotiations in Community-based Visual Art By Neill Bogan (October 2003)

Power in Practice: Notes on a New Kind of Arts Conference By Linda Frye Burnham (October 2003)

Practicing in Public By Mary Jane Jacob (October 2003)

Professional Jaywalker: Richard Posner on crossing from the studio to public art By Douglas Eby (September 2002)

Public Art's Cultural Evolution By Jack Becker (February 2002)

Putting Culture Back into Agriculture By Maryo Gard Ewell (December 2006)

Que No Se Vuelva a Repetir By Aryeh Shell (May 2008)

RFK in EKY: Maximum Feasible Participation By Jane Hirshberg (November 2004)

ROOTS & Race: Walking Our Talk By Lisa Mount (March 2004)

ROOTS Goes to Spoleto: A Report By Frank Martin (October 2003)

Re/Generations: Bridging the Centuries of Art & Activism By Linda Frye Burnham (November 2006)

Really Caring: Why a comprehensive healthcare system includes the arts By Susan Perlstein (December 1999)

Reclaiming Culture: ¡Que Viva La Posada! By Aryeh Shell (January 2008)

Reflections on Convergence: A Youth Perspective on Intersection IV By Jacqueline Johnson and Raul Matta (November 2006)

Reflections on New Orleans (February 2004)

Rehearsing for Dramatic Change in Afghanistan By Sonja Arsham Kuftinec (December 2004)

Relationship, Reciprocity, Reclamation: The Arts at Cal State Monterey Bay By Jan Freya (April 2007)

Residency Story: They Won't Dance, Don't Ask Them (December 1999)

Resolving Conflicts: A Poet's Residency in Tulsa By Alice Lovelace (September 2002)

Resonant Spaces/Dynamic Flow By James Garrett Jr. (March 2004)

Rez CAP By John Peacock (July 2008)

Richard Florida's High-class Glasses By Ann Daly (October 2004)

Richard Kamler By Laura Jamison (December 1999)

Riding the Sine Wave of "Hallelujah": An Interview with Joy Gill By Linda Frye Burnham (March 2003)

Ripples of the Fourth Wave: New York's viBePoetry By Dana Edell (February 2006)

Ritual Keeper: An Interview with Anna Halprin By Janice Steinberg (September 2002)

River Voice By Linda Frye Burnham (May 2000)

River of Words and Images By Linda Frye Burnham (May 2000)

Running Commentary: Alternate ROOTS By Linda Frye Burnham (October 2003)

Running To Catch Up with the People: A Conversation with Robert Gard, Ralph Kohlhoff and Michael Warlum, 1969 By Michael F. Warlum (September 2004)

Shards, Circles, Jails, Journeys and Cootie Shots: Four New Books By Linda Frye Burnham (April 2002)

Sharing the Future: Boston: IBA / Arte y Cultura By Alan West (December 1999)

Sharing the Future: Philadelphia: The Village of Arts and Humanities By Gil Ott (December 1999)

Sharing the Future: San Antonio: The Guadalupe Cultural Arts Center By Lynn Gosnell (December 1999)

Sharing the Future: The arts and community development By Gil Ott (December 1999)

She Who Would Fly: An Interview with Suzanne Lacy By Richard Newton (September 2002)

Shock of the Real: An Interview with Karen Finley By Margot Mifflin (September 2002)

Shooting the Klan: An Interview with Andres Serrano By Coco Fusco (September 2002)

Silence Still = Death By Lucy Lippard (September 2002)

Singing on the Mountain: A View of Alternate ROOTS By Kenneth C. Raphael (October 2003)

Small Town America ReDesigns Itself into Prosperity By Jennifer Roche (July 2005)

Socially Engaged Art, Critics and Discontents: An Interview with Claire Bishop By Jennifer Roche (July 2006)

Solo Performing as Call To Arms By Tim Miller (March 2002)

Some Historical Threads of the Community Arts Story (and why they are important). By Maryo Gard Ewell (July 2002)

South Dakota Celebrates a Black Pioneer By Susan Stoneback (July 2006)