Director Peter DiMuro’s performance grids for the North Carolina "Hallelujahs,"
skeletons of the ever-changing order of the programs as they continue to develop.
"Without this grid, it seems that my imagination would run wild with the
possibility of what was left to do. With it, my imagination had a guide,"
said DiMuro.
BOONE HAL ORDER
Final order |
| |
Notes/work |
sound |
PROLOGUE
Diagonal lines
Thomas Ted
Landscapers/dble trios |
Work order of entrances/beginnings: TD and
Ted then Diagonals disappear; then landscapers; THEN triangles…. Trio
begin/ends…. |
Add ff 4 as conduit between pre curtain stuff
and curtain up; hear td’s track; follow with proph 10… |
| Gwyn 1— With back up group |
Volume for gwyn/ ?back up exit? ADD JUSTIN |
|
| Margot Field |
Secure in entrance? |
|
| Garden Gwyn 2 Flood/Circular Monster entrance |
Michelle cue awareness Garden start once there
— Michelle and partner start standing and melt/ADD JUSTIN Sally evolve
to audience Formation of group need V |
Sally voice come on followed by music underneath…..(can
start after we hear sally’s voice) |
| Double Yes But Lines Jeff |
Cut each other off Aware off spacing into
line — spread out Backup group — possible accumulation into as
opposed to whole group |
|
Dance Exchange
COMPANY FIELD |
Michelle Celeste herb moment Sharon no walk |
|
| |
|
|
| Hair/Celeste and Sharon |
Ladies on at transition/Celeste alone/ add
Sharon/Celeste to upright when Sharon does hair thing |
Hear Celeste when alone Follow with track |
| Mystery Hill |
Ted rolling into Mike — unexpected creeps
up on you |
|
| Flood/Marvin’s |
Segue secure from mystery? |
|
| Break Dancers |
LEAVE JUSTIN ON STAGE |
MAJOR CHANGE |
| Gwyn 3 -start |
Edit Gwyn’s language Start comm. To mountain |
MAJOR CHANGE |
| Thomas/Mountain |
Edit Thomas’ Language/ exit |
MAJOR CHANGE Is there Carrie language available…. |
ASHEVILLE HAL ORDER
Saturday AM |
| |
TO DIVVY UP among
LIZ, MICHELLE, PETER |
|
| |
Notes/work |
|
| MYSTICAL FIELD Quincy Rope w/Marvin Margot
— add wisps of movemement to cross |
Harmonium playing- stronger
Catherine Downstage/Claire Up
ROPES: raise them in succession (first, second, third) as/slower…
Keep ropes on til Co field starts
Less distance between Mary and Arachme |
|
| LACE #1 |
|
|
| Dance Exchange COMPANY FIELD Ending sr picture/keep
M/Michael longer |
Remove ropes with the music |
|
WHISPERING LINES
Margo and Mary in more
Fix quincy spacing |
Harmonium
Work tone of language/add Julie line/tighten verbal cues/
Not to wait for mary/margo for others to go/speed up Nancy — holding
up anna out of corner |
FINDTRACK for after Mary speech to play |
| LACE #2 |
?Michelle- can't spider enter before whispers
end — and then settle while Ellen speaks/then pick up again? |
|
| MARVIN FIELD |
Michelle - add a stillness in DL corner before
sidebends of Marvin phrase — see Dana come across then move again |
|
GARDEN STORY/DUETS
Work Quincy language and timing — aware of quarter and Shiner - |
AS THEY ENTER — NEED A DOWNSTAGE ROPE
TO COME ACROSS THE FRONT and hang low Change Sondra lunge entrance Work
ladies timing and exits |
|
| MARGOT FIELD |
Music start out soft Brad deliver "fast"
sentences Dance happens When dstage, he finishes speech there |
CHLOE |
ARACHME with backup group
Eliz start with back right away |
Ellen — needs to be aware of Eloise talking
Try macho tone??
may be too much for them
final eliz arachme pose — keep it moving |
|
Company Men’s Quintet
Michael aware to get it to stage left
Look at men ending — Marvin — some kind of mystical reprise as
all come field enters/other mend dissipate |
Brad into scarf Arachme stay down right to
watch longer….. |
|
ALL COME FIELD
Enters with new music |
Add women on visual cue from the men —
bring in tango music on new cue Beef up jacoranda — add Michelle/respace
Stage Ellen/Ted/Shiner — try scene facing the big group They salute
them back Add shiner back into duets after signing |
CHLOE |
MELTS into NEW ENDING
LACE 3
Ellen sits in profile starts succession of ropes from SR to SL to melt down |
Harmonium as a link between tango and ending
cut? Yoko needs to be on sooner Change facing of Idel and Clair to look
at spot where Ellen will be |
|
RALEIGH ANIMALS
as of April 19 |
| |
|
sound |
Notes/cues |
PROLOGUE: MEMORIAL DEDICATION
Into MARVIN |
Dancers in white |
x |
Work Ted into opening Work processional with
company first |
| Into BUG JARS |
Brentwood and others |
Regular |
Choose which pairs go up/down on which Look
at back line - do double |
| Into LOUIS 1 |
|
Regular |
|
| STORIES #1 |
Movement groups Rob, Maria, Liz, Patricia,
Julie, Betsy etc…. Floyd/vet school stories Snakes…… |
X X X |
Work debby text/marvin Peg/td/Martha —
Add marvin for snake line with debby |
| LOUIS 2 Pregnancy |
|
regular |
|
| CLUB |
With Enloe Lap Ladies in transition |
Regular |
Spacing with enloe — Depth for kazu /mmichel |
| STORIES #2 |
Nero story/Turtle storyGoat story |
X X |
Delay ted entrance/overlay lap ladies Solo
for Thomas Trees to salamander positions Language on turtles |
| FUNERAL |
With girls |
Regular |
|
| MARVIN CALL |
|
Regular beginning of cut for Fly dogs/ |
|
| AGILITY DOGS/Le Stat |
|
As above |
|
| FINAL ENTRANCE |
Dancers in White |
Samantha’s recording |
Edit with company/so we can teach tonight |
